In Dil Dhadakne Do, the international powerhouse empowered more women to be seen on the big screen together. Priyanka Chopra has always created opportunities for more women to share the stage together through her films. Whether it was Dirty Picture, Mary Kom, Kahaani, Lipstick Under My Burkha, English Vinglish, Margarita With A Straw or Queen, Bollywood has opened doors for more stories revolving around female protagonists. So, it comes as no surprise that it was Priyanka Chopra that started the trend of female-centric movies with her film 'Fashion' thirteen years ago.Ĭourtesy PeeCee, there has been no looking back for the industry ever since. She has not only talked the talk but also walked the walk by supporting girl child education and being vocal about gender equality, women’s rights and the gender pay gap. The global superstar has, in the past, made headlines for her powerful statements inspiring millions of women a countless number of times. It is a well-known fact that Priyanka Chopra Jonas is a flagbearer of women empowerment, in her real as well as reel life. Priyanka Chopra Jonas believes adding the 'power' to women empowerment, both on & off-screen The VFX was good enough to satisfy and the Art section was also impressive.Follow us on Image Source : INSTAGRAM/PRIYANKA CHOPRA JONAS Mohanan’s cinematography was special and liked the overall color tone of the movie. The music and BGM by Ram Sampath is totally in sync with the theme. Farhan’s dialogs as usual are pretty cool and engaging. The screen play is kind of slow paced at occasions, but considering the nature of the movie its not an offence. Making the audience feel disturbed about the situation isn’t an easy task and she has managed to do it.
Unlike her fun filled first film, Reema handles this precarious story very smartly. In the making I think Reema and Zoya are becoming quality film makers and the creative females of our country can be proud of them. Rest of the cast was also loyal to their characters. Nawazudheen was also impressive in his greedy avatar. Kareena handles her pivotal role very effectively. On screen, Aamir the perfectionist did his job perfectly as the stubborn police officer, caring husband and as the disturbed father. The way the dialogs of the slut Rosi aka Simran falling correctly in place for Shekhawat was a really cool sequence and that scores the most for this movie. But after that there were a few minutes were Shekhawat rewinds himself and understand his situation. On the scene were Shekhawat realizes the mystery of the accidents happening on that particular area, most of the audience including me was disappointed.
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The movie at first looks like an out of order one because of its equal focus on Shekhawat’s personal and professional life. I am concluding the plot on that knot because the impression created by the promos was blown away when I saw the movie’s climax. How this character influences the investigation and Shekhawat in person is all about Talaash.
The investigation takes him to a slut in Randi bazaar for certain informations. He feels guilty for his son’s death and feels responsible for the mental trauma his wife undergoes. Shekhawat who is not having a great family life because of the sad demise of his one and only child in an accident gets disturbed a lot during the course of the investigation. A film actor Armaan Kapoor gets killed in weird kind of car accident and Shekhawat is in charge of the case. The plot revolves around the police officer Shekhawat.
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